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Qualità mostrata nella foto: BB
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Moneta, STATI ITALIANI, NAPLES

Joachim Murat - 2 Lire - 1813 - Naples - BB

€250
Qualità BB
Venduto
Purtroppo questo oggetto da collezione non è più disponibile. Tuttavia, nulla è perduto: potete chiedere ai nostri esperti di cercare gratuitamente questo articolo da collezione per voi.
Descrizione dettagliata

9.78 gr.

  • Paese: STATI ITALIANI
  • Denominazione: 2 Lire
  • Anno: 1813
  • Nome della zecca: Naples
  • Composizione: Argento
  • Titolo: 0.90000000000000002
  • Diametro: 27
  • Coniazione: 220000
  • Nome dell’autorità: Joachim Murat
La nostra esperienza per questa qualità
  • Patina : attractive patina
  • Rarità della moneta : rare
Riferimenti dell'elemento della collezione
  • KM: 258
Riferimento del catalogo NumisCorner: 493039
Moneta, STATI ITALIANI, NAPLES, Joachim Murat, 2 Lire, 1813, Naples, BB

Garanzie di autenticità

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  • La classificazione opzionale è disponibile dopo aver aggiunto la moneta al carrello.
  • Tutti gli oggetti da collezione di valore superiore a 500 euro includono la classificazione gratuita.

Autorizzazioni internazionali

Siamo membri delle maggiori organizzazioni numismatiche internazionali

  • American Numismatic Society (ANS n°11680)
  • American Numismatic Association (ANA n°3175551)
  • Asian Numismatic Society (ANS)
  • International Bank Note Society (IBNS n°11418)
  • Paper Money Guaranty (PMG n°3721)
  • Professional Coin Grading Service (PCGS n°1048758)
  • Numismatic Guaranty Corporation (NGC n°3721)
  • Rivenditore ufficiale Monnaie de Paris
Moneta, STATI ITALIANI, NAPLES, Joachim Murat, 2 Lire, 1813, Naples, BB

Consegne e restituzioni

Tutte le informazioni relative alla consegna del vostro ordine

Opzioni e costi di consegna

Condizioni per una lettera semplice:

  • All'estero: 4,95 € se l'ordine è inferiore a 150 €.
  • In Francia: 4,95 € se l'ordine è inferiore a 50 €.

Condizioni per una lettera raccomandata:

  • All'estero: 4,95 € se l'ordine è superiore a 150 €.
  • In Francia: 4,95 € se l'ordine è superiore a 50 €.

Condizioni per una spedizione espressa:

  • Per tutte le destinazioni: 25 € per tutti gli ordini.

Tempi di consegna

Facciamo tutto il possibile per spedire il vostro ordine nel più breve tempo possibile, garantendo sempre la massima sicurezza. Queste spedizioni sono associate a misure amministrative speciali, ad esempio a causa della valuta o della destinazione.

Nella maggior parte dei casi, l'ordine viene spedito entro due o cinque giorni lavorativi dopo la verifica del pagamento.

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Assicurazione

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Restituzioni

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Se non siete soddisfatti al 100%, potete chiedere un rimborso completo.

Moneta, STATI ITALIANI, NAPLES, Joachim Murat, 2 Lire, 1813, Naples, BB

Informazioni sui pagamenti

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Sicurezza

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Il vostro ordine sarà inviato con discrezione in un imballaggio neutro, assicurato al 100% e con tracciabilità.

Moneta, STATI ITALIANI, NAPLES, Joachim Murat, 2 Lire, 1813, Naples, BB

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Con questo oggetto da collezione si acquisisce anche :
Silver

Silver

Silver can fall into your pocket but also falls between copper and gold in group 11 of the periodic table. Three metals frequently used to mint coins. There are two good reasons for using silver: it is a precious metal and oxidizes little upon contact with air. Two advantages not to be taken for granted.

Here is thus a metal that won’t vanish into thin air.

It’s chemical symbol Ag is derived from the Latin word for silver (argentum), compare Ancient Greek ἄργυρος (árgyros). Silver has a white, shiny appearance and, to add a little bit of esotericism or polytheism to the mix, is traditionally dedicated to the Moon or the goddess Artemis (Diana to the Romans).

As a precious metal, just like gold, silver is used to mint coins with an intrinsic value, meaning their value is constituted by the material of which they are made. It should be noted that small quantities of other metals are frequently added to silver to make it harder, as it is naturally very malleable (you can’t have everything) and thus wears away rapidly.

The first silver coins probably date back to the end of the 7th century BC and were struck on the Greek island of Aegina. These little beauties can be recognized by the turtle featured on the reverse.

The patina of silver ranges from gray to black.

Good to know:

The millesimal fineness (or alloy) of a coin indicates the exact proportion (in parts per thousand) of silver included in the composition. We thus speak, for example, of 999‰ silver or 999 parts of silver per 1 part of other metals. This measure is important for investment coins such as bullion. In France, it was expressed in carats until 1995.

An “EF(40-45)” quality

An “EF(40-45)” quality

As in numismatics it is important that the state of conservation of an item be carefully evaluated before it is offered to a discerning collector with a keen eye.

This initially obscure acronym comprising two words describing the state of conservation is explained clearly here:

Extremely Fine

This means – more prosaically – that the coin has circulated well from hand to hand and pocket to pocket but the impact on its wear remains limited: the coins retains much of its mint luster, sharp detailing and little sign of being circulated. Closer examination with the naked eye reveals minor scratches or nicks.

Italy

Italy

  • Geographical location: Southern Europe
  • Current political regime: Parliamentary republic
  • Current capital: Rome

Brief history

5th century AD – the fire of the Western Roman Empire was dying down. The last emperor, Romulus Augustus (the irony of his name not going unnoticed), was brought down by a certain Odoacer in 476. The latter, modest (or realist), only declared himself King of Italy. The territory subsequently fell into the hands of the Ostrogoths, the Vandals, the Byzantine Empire, and finally the Lombards.

In the Middle Ages, then during the Renaissance, for which it would be the cradle, Italy was composed of a disparate collection of independent cities, duchies, republics, and other principalities. The North was ruled first by Charlemagne and then by the Holy Roman Empire. Further to the south were also the Papal States. Later, it was Napoleon Bonaparte who put a cat among the pigeons in “the Boot” by creating a host of local republics allied with France.

It was only in the 19th century that unification efforts began in earnest, bringing an end to the age of Italian states. The first proclamation of a Kingdom of Italy came in 1861, even though the kingdom remained “partial”. It was not until 1871 that the kingdom could be considered to be “complete” under a constitutional monarchy with Rome as its capital. Of the multitude of initial Italian entities, only the Republic of San Marino and the Vatican City remain.

Following World War I, just like in Germany, it was the feeling of having been swindled by the Treaty of Versailles and the economic crisis which facilitated the rise to power of Benito Mussolini. In 1922, following the March on Rome, he took control of the Italian Government entrusted to him by King Victor Emmanuel III. Just as in Germany, the fascists utilized violence and the ballot box to rise to power. In 1925 and 1926, Il Duce (The Leader) passed fascist laws to lay the foundations for an authoritarian state.

Italy was a coalition member of the Axis powers during World War II along with Germany and Japan. In 1943, the Allies landed in Sicily, and the King ordered the imprisonment of Mussolini, who should be delivered by the Germans. During this period, Italy was split in two: the Allies in the South and the Germans occupying the North. It was a time of civil war, and the country became nothing more than a giant battlefield. Finally, in 1945, the fleeing Il Duce was intercepted by communist partisans and hanged.

1946 sounded the death-knell for the Italian monarchy following a referendum. The Italian Republic was proclaimed with a parliamentary regime. Umberto II, the last King of Italy, reigned for just 35 days before leaving the throne and departing for Portugal without abdicating. In 1948, a law was passed banning any member of the royal family from setting foot on Italian soil.

Currency

Prior to the unification of 1861, Italian territory was so fragmented, often occupied, quartered, and politically shifting that it proves quite difficult to summarize a clear history in just a few lines.

Lets focus on a few notable coins. The golden florin (fiorino), created in Tuscany in 1252, was used as international currency. In 1282, it was Venice which minted its first golden ducat and cast a shadow over the florin. The 18th century, with Italy under Austrian influence, saw the grand return of the florin and the arrival of the gulden. But let’s also not forget the genovino used in the Republic of Genoa, the Roman scudo of the Papal States, the ducat of Naples and Sicily, or the crown of Trentino. The lira was in use in Sardinia from the 16th century.

Ultimately, we conclude by coming full circle. After all, right at the beginning of the Christian era, was the libra (Roman pound). A unit of weight. In 790, Charlemagne decided to transform this unit of weight into a unit of currency for his empire. And so the silver lira was born weighing 325 grams and having a value equivalent to 240 denarii where it was in use on Carolingian territory.

And it was another emperor, Napoleon I, who brought it back into fashion as the first currency of “his” Kingdom of Italy in 1806. The Italian lira, like the franc, had to weigh 5 grams of silver and bear the inscription “Napoleon, emperor and king”.

Italy did not get its own real unit of currency until the complete unification of the kingdom. In 1862, the lira (₤) was the only one in circulation, weighing 4.5 grams of silver and divided into 100 centesimi (cents).

The lira endured and fluctuated over the course of periods of crisis, inflation, and growth until the introduction of the euro in 2002.

Great inventions

Among other things, the Italians invented the electric battery (Alessandro Volta, 1800), the radio (Guglielmo Marconi, 1895), the piano (Bartolomeo Cristofori, 1709), eye glasses (13th century), and even the combustion engine (Eugenio Barsanti and Felice Matteucci, 1854).

Painting: "Piazza Navona, Roma" by Gaspar Van Wittel (1699)